Indisposed
I participated in the 2023 Belfast Feminist Film School (BFFS) at Ulster University. Even with filmmaking as part of my arts practice and a long-standing commitment to feminist activism, it was an eye-opening experience that continues to resonate with me.
The programme refined technical skills and highlighted the many barriers to entry in the film industry, particularly for women and marginalised voices. We explored the dominance of narratives reflecting the perspectives of white, western men and discussed the urgent need to amplify more diverse voices in cinema.
Throughout the week, we analysed powerful films such as Hush-A-Bye Baby (1990) by Margot Harkin, Fish Tank (2009) by Andrea Arnold, and A Girl Walks Home Alone at Night (2014) by Ana Lily Amirpour. These films challenged conventional storytelling and opened up discussions that were deeply thought-provoking.
The talks from female-identifying industry experts were another highlight, offering insight into feminist filmmaking practices and the challenges of the industry.
The practical side of the programme was equally engaging. Working collaboratively in small groups, we developed and created short films on topics often neglected in mainstream media. My group produced Indisposed, a film that addresses the taboos surrounding menstruation. The film, shot in black and white, follows a central character as she moves through her day carrying a striking red ball of wool and crocheting. The repetitive action of crocheting serves as a metaphor for women’s daily, often invisible labour, while the bold use of red highlights menstruation as a topic deserving visibility and discussion.I was delighted when Indisposed was included in the Curating Activism exhibition at Ulster University, curated by Dr Clare Gallagher as part of Frederick Douglass Week. The exhibition explored art as a tool for social justice, showcasing work that addressed inequality, injustice, and the experiences of marginalised communities.
Dr Clare Gallagher described the exhibition as highlighting art’s ability to “[propose] collective action as a shared response to inequality and injustice… and inspire change through warmth, persistence and solidarity.”
For me, the Belfast Feminist Film School was more than a fantastic experience— I met inspiring people who I still keep in touch with, and as alumni, we even retain access to filmmaking equipment through the programme.
BFFS actively addresses the barriers that prevent women from participating in filmmaking, including financial constraints and caregiving responsibilities. Bursaries are available, and no prior experience or qualifications are required to attend.
If you’re female-identifying and interested in filmmaking, I can’t recommend the Belfast Feminist Film School enough. It’s a space that will challenge and inspire you to push the boundaries of your creative practice and confront the persistent barriers in the film industry.
You can find more information at @belfastfeministfilmschool.
